Believe in yourself! Have faith in your abilities! Without a humble but reasonable confidence in your own powers you cannot be successful or happy. I know where I'm going and I know the truth, and I don't have to be what you want me to be. I'm free to be what I want. Never give up; Never give in.
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I'm free to be what I want. Always continue the climb. It is possible for you to do whatever you choose, if you first get to know who you are and are willing to work with a power that is greater than ourselves to do it. We are taught you must blame your father, your sisters, your brothers, the school, the teachers - but never blame yourself. It's never your fault. But it's always your fault, because if you wanted to change you're the one who has got to change.
[blockquote author="Unknown"]If you first get to know who you are and are willing to work with a power that is greater than ourselves to do it[/blockquote]Learn from the past, set vivid, detailed goals for the future, and live in the only moment of time over which you have any control: now. Optimism is the faith that leads to achievement. Nothing can be done without hope and confidence. If you can dream it, you can do it. Do it now, not tomorrow. Always continue the climb. It is possible for you to do whatever you choose, if you first get to know who you are and are willing to work with a power that is greater than ourselves to do it. We are taught you must blame your father, your sisters, your brothers, the school, the teachers - but never blame yourself
Learn from the past, set vivid, detailed goals for the future, and live in the only moment of time over which you have any control: now. Optimism is the faith that leads to achievement. Nothing can be done without hope and confidence. If you can dream it, you can do it. Do it now, not tomorrow. Always continue the climb. It is possible for you to do whatever you choose, if you first get to know who you are and are willing to work with a power that is greater than ourselves to do it. We are taught you must blame your father, your sisters, your brothers, the school, the teachers - but never blame yourself
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บุหรี่ iqos
Early reactions to Joker: Folie à Deux suggest a blend of 'brilliance' and 'boredom', leading to a mixed bag of reviews.
The film sees the return of Joaquin Phoenix's Oscar-winning portrayal of Arthur Fleck/Joker and the addition of pop powerhouse Lady Gaga as Joker's love interest Harley
Quinn.
Premiering to a full house at the Venice Film Festival on Wednesday, the eagerly awaited sequel to Todd Phillips' billion-dollar hit divided
critics.
While some found it 'superior' to the acclaimed 2019 film and lauded the performances
of both Phoenix and Gaga, others slammed Joker: Folie à
Deux as 'derivative' and devoid of 'fun.'
DailyMail's Brian Viner called the movie musical 'audaciously different in style from
the original, not quite as electrifying, but bold and brilliant all the same.'
Early reactions to Joker: Folie à Deux suggest a blend of 'brilliance' and 'boredom',
leading to a mixed bag of reviews
While some found it 'superior' to the acclaimed 2019 film and lauded the performances of both Phoenix
and Gaga, others slammed Joker: Folie à Deux as 'derivative' and devoid of 'fun'
Read More
Lady Gaga puts on a loved-up display with
her fiancé Michael Polansky at Joker premiere
Owen Gleiberman appeared a bit less impressed in his review for Variety, writing that the 'cracked
jukebox musical' had an audacious concept, 'but in a basic way it's an overly cautious sequel.'
IndieWire's David Ehrlich took a bit of a harsher tone, saying the 138-minute flick is 'boring, flat, and a criminal
waste of Lady Gaga,' adding it feels 'bad on purpose.'
He added: 'Phillips has created a corporate pop spectacle that all
but demands to be seen as something else.
'Here is a movie that perversely denies audiences everything they've been conditioned to
want from it; gently at first, and then later
with the unmistakable hostility of a knife to the gut.
'And that, more than anything else, is why Folie à Deux adopts
the form of a classic musical: Because no other genre makes it so easy to appreciate all the fun you're
not having.'
In contrast, Alex Harrison of ScreenRant describes Joker: Folie à Deux as a more refined sequel designed to
provoke fans of the original film.
'Joker: Folie à Deux has more coherent things to say about fan culture than it or
its predecessor does about mental illness, which, for me, makes it the superior of the two,' he stated.
Deadline's Pete Hammond praises the film as 'brilliant' and lauds
the performances of the leads.
'Phoenix knows this character inside and out, and in what others might say is a
risky proposition, he tap dances, sings and sells this role like
no other — if not topping his Oscar-winning turn in Joker, at least finding a way to take him in different, wholly surprising
direction.
'Gaga is smartly low-key, not the Harley Quinn
we associate with Margot Robbie, but her own person, dressed down and
believably showing affection and connection with Joker and, more important, the man behind the
makeup.'
The Hollywood Reporter says Joker: Folie à Deux feels 'narratively a little
thin and at times dull… This sequel is built on more of a conceit than a solid story foundation.'
'Even more than its predecessor, Joker: Folie à Deux reduces the archvillain to a hollowed-out product of childhood trauma and mental illness.
Which means there's little we didn't learn last
time,' added the outlet's David Rooney.
The Guardian's Peter Bradshaw wrote, 'There's a great supporting cast and a barnstorming first act but Todd
Phillips's much-hyped Gotham sequel proves claustrophobic and repetitive.'
DailyMail's Brian Viner called the musical 'audaciously different in style from the
original, not quite as electrifying, but bold
and brilliant all the same'
Owen Gleiberman appeared a bit less impressed in his review for Variety , writing that
the 'cracked jukebox musical' had an audacious concept, 'but in a basic
way it's an overly cautious sequel'
Deadline's Pete Hammond praises the film as 'brilliant' and lauds the performances of the leads
The Times called it a 'messy, lifeless sequel' that 'didn't need to exist.'
'The director Todd Phillips said there would be no
follow-up to the original, but he changed his mind and the result is a derivative
musical,' the outlet's Kevin Maher wrote.
Allison Willmore at Vulture panned the movie, writing,
'Mostly, Arthur is acted upon, even when he thinks he's seizing control
— a punching bag for the world and, more importantly, for the director, who subjects the character to so many indignities that he actually
stops being pitiable and starts resembling the punchline to a very long, shaggy joke.
'By the end of Joker: Folie à Deux, that joke feels like it's
on us.'
Joker: Folie à Deux is set to be released in theaters on October 4, 2024.
It is the much-anticipated follow-up to 2019's Academy
Award-winning Joker, which earned more than $1
billion at the global box office and remains the highest-grossing R-rated
film of all time.
The second installment finds Arthur Fleck institutionalized at Arkham awaiting trial for his crimes as Joker.
'While struggling with his dual identity, Arthur not only stumbles upon true love, but also finds the music that's always been inside
him,' a press release shared.
Lady Gaga
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